Lisa Hall-Wilson
Last week at WITS I wrote about writing deep point of view using layers of emotions and I promised this week to share about writing love in deep point of view. If you missed last week’s post, make sure you check it out.
Let’s recap for a moment. A secondary emotion is our thinking response to primary (instinctive, unthinking) emotions. A secondary emotion could be triggered by one or a dozen primary emotions, and that blend will be unique for every character in every situation.
In deep point of view, it’s vital to understand the why of an emotion. Why is your POVC attracted to that other character? What need or desire are they trying to ease or fill? What emotions (or mix of emotions) is fuelling that feeling of love?
“I opened the door and there he was. It was like I was a magician and had thrown aside the curtain to show my lovely assistant. The sight of him caught my breath in my throat.”
Laurel K. Hamilton, Blue Moon
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Author Don Massenzio 