This week, I have the pleasure of featuring Author Paul Scott Bates on this edition of A Perfect 10.
Please enjoy this week’s installment of A Perfect 10
If you want to check out past interviews, you can find them in the following links:
A.C. Flory, Steve Boseley, Kayla Matt, Mae Clair, Jill Sammut, Deanna Kahler, Dawn Reno Langley, John Howell, Elaine Cougler, Jan Sikes, Nancy Bell, Nick Davis, Kathleen Lopez, Susan Thatcher, Charles Yallowitz, Armand Rosamilia, Tracey Pagana, Anna Dobritt, Karen Oberlaender, Deby Fredericks, Teri Polen, Darlene Foster, Robert Rayner, C.C. Naughton, Sherry Rentshler, Linda Bradley, Luna St. Clair, Joan Hall, Staci Troilo, Allan Hudson, Robert Eggleton.
Also, if you are an author and you want to be part of this feature, I still have a few slots open for 2017. You can email me at email@example.com
Does writing energize or exhaust you?
At the time of writing it often energizes, particularly if I’m pleased with the result. I wrote one poem, Lament that when I’d finished it I actually couldn’t remember writing it. It just flowed for maybe an hour and came straight out, few interruptions, it just seems to appear before me. I’m very proud of that piece. I find writing very cathartic, it can act as a vehicle for my emotions and, as essentially a very socially inadequate person, it helps me express myself without being out on a pedestal.
Do you ever write under a pseudonym? If not have you considered it? Why or why not?
I haven’t yet. I’m not sure why I would want to. Its difficult getting your name out there so to start again seems counter-productive. Some writers write under a different name to distance their work from something else they have written – I’m thinking about J.K. Rowling here – and that’s their prerogative and fine but at the moment I’m not sure it would work for me. That said, I am working on another project which involves my poetry that I’m keeping quite separate at the moment.
Does a big ego help or hurt writers? Why or why not?
That’s a difficult question. A big ego can help a writer to promote their work but it could possibly lead to self-destruction. I think with any profession it’s easy to become complacent. A new writer with a big ego would struggle as I don’t think the public would connect with them. I think it’s important to appear real and approachable particularly with poetry as it seems to be a very misunderstood genre.
What was the best money you ever spent as a writer?
As a new writer, the best money I have spent is buying my initial batch of books to sell!
What does writing success look like to you? Have you achieved it?
In many ways, having a book published was success in itself. I started writing over thirty years ago in my teens and dreamed of having a ‘real’ book. Whist e-books seem like the current fad, I’m still very keen on holding a paper bound book in my hands. I’d love greater success of course, selling more copies of the book and getting recognition but that’s probably more cognitive than a requirement.
What kind of research do you do, and how long do you spend researching before beginning a book? What sources do you use?
I just study life, feelings and expressions. Some of my poetry is fictional, some of it not, the goal for me is to leave the writer wondering which is which – then I have succeeded. Poems can be influenced by life events, TV programmes, even a line in a song, anything that affects me in a strong way can potentially find itself in a poem.
How do you select the names of your characters? Have you ever regretted choosing a particular name? Why?
Many of the names I have used have been fictional and just names I liked the sound of – Andrewina, Josephine for instance. I wrote a trio of poems about a character called Sarah-Jane, a partner who had passed away and I struggled to let go even after death, at the time it was fictional but I now know a few SJ’s and I have to tell them they aren’t the influence!
What is the hardest type of scene to write?
I tend not to write something that I find difficult. I don’t force myself to write, only writing about things that I know will come to me.
If you could have dinner with four people, living or dead, who would they be and what would you want to ask them?
Oh goodness, that’s really difficult. I’ll probably name four and then think of another fifty afterwards! I’d love Yoko Ono to be there, she’s amazing woman and so forward thinking, sure we’d have lots in common and could talk for hours. I think she’s very misunderstood as a person in her own right.
A comedian like Spike Milligan or Tommy Cooper – I suspect that they were quite dark personalities so very different from their stage personas although I’m sure they would keep me amused as their senses of humour matched my own.
I’d like my Grandads to be there too. I never knew one of them and the other died when I was 9 so never really had a relationship with either.
For people that are still living maybe an actor like Anthony Hopkins, or Stephen Fry they could tell some fascinating stories I’m sure, and maybe my wife as she’s my rock and means so much to me, she would contribute a lot to the whole situation. I wouldn’t want to have such an enthralling dinner without her being there.
What platform has brought you the most success in marketing your books?
I’m still new to the world of books so at the moment it has been family, Twitter and Facebook. I’d love ‘word of mouth’ to spread and people to buy the book on recommendation and maybe via good reviews. I have a friend who has also been leaving a few copies of my book on the London Underground for people to pick up! Anything is worth a try!
My current book, Hitting the Black Wall is available on Amazon and Barnes & Noble.
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