Ultimate Guide Revised – Chapter 5

Here is the revised fifth chapter from the ambitiously named book The Ultimate Guide For Independently Published Authors. You may have seen a condensed version of this chapter on my blog, but this is the expanded and revised version.

Just remember this , DON’T BUY THIS BOOK. It will be posted in it’s entirety on this blog with two chapters posted per week (that’s my goal, anyway). Just comment and feel free to copy and paste for your own use. Once I collect comments and refine it, I will re-publish it and offer it for free.

Thank you to those of you that provided feedback on Chapters 1-4.

By the way, if you did buy it as an e-book, I will make sure that I upload the revision as an update so that you can download the new version free of charge.

What Do/Should Writers Read?

Anyone who knows me is aware that I am an avid reader as well as a writer. I tend to pick authors that I enjoy and read their entire body of work in chronological order. This not only brings me enjoyment, but it shows me their development as an author from their early to later work.

One of my favorite authors is Stephen King. His early work is strong and definitely got stronger. When he suffered his accident and nearly died, his work suffered a bit after his recovery. He even threatened to retire, but thankfully, did not. I use him as an example because he also has one of my favorite quotes by an author:

If you don’t have time to read, you don’t have the time — or the tools — to write. Simple as that. – Stephen King

In the past two years, I have written and published five novels and a collection of short stories. I have also read somewhere around 80 books during that time and post three times per day to my blog. This may not sound unusual, but I also work 50-60 hours each week at my “day job”.

How do I do this? Time management is one technique.  Reading helps me to block out and reduce the stress of travel. It also makes flights pass by quickly. I often alternate reading and writing when I am on long flights. The writing depends upon my seating situation. If I am in a middle seat between two portly people, it is difficult to get out the laptop or tablet to write, so I resort to reading on my Kindle.

I’ve also discovered the joy of listening to books. Audio books are great, but I can’t work or write while I’m listening. My brain just won’t comprehend the story while I create another one.

Before I started writing, reading was an escape. It was a way to de-stress from the pressures of my work and allowed me to relax and go to sleep. Since I have published my own work, it is also a way to assess other authors and look at their development.

A prime example of this came to me through circumstance. A literary magazine reviewed my first book, Frankly Speaking, and compared my writing style to Elmore Leonard. I had heard the name and associated it with movies like “The Big Bounce” and “Get Shorty”, but I had never read any of Leonard’s work. I began reading from his very first novel, “The Bounty Hunters” which was published in 1953. It was a western, which took me by surprise. My book is a detective novel and I didn’t see the similarities. I’m not typically a reader of westerns, but stuck with Mr. Leonard. I noticed the lack of complex plots and well-developed characters in his early works. He also tended to end the novels abruptly without fleshing out the ending. Sixteen years and five novels later, he published “The Big Bounce”. It was his first non-western novel, but wasn’t really in the detective genre. I could, however, begin to see similarities in my use of dialog and narrative when compared to his work. I could also see his development as a writer over the 16 years.

An opposite example of this development would be in the work of James Patterson. I have read his work sporadically. I thoroughly enjoyed his early works, especially the Alex Cross stories. His later work, however, is watered down. Most of his books these days (which seem to come out on a weekly basis) are “with” books.

What I mean is that the cover will have James Patterson’s name in huge letters and then, somewhere at the bottom, there will be a line in smaller font that says “with …” I have a feeling that the person whose name appears after the “with” is the actual writer and is writing books based on the James Patterson characters with his blessing (and collection of a substantial percentage of the profits). This is a phenomenon where a successful author has become a business and his books are like McDonalds franchise stores. I don’t read James Patterson books anymore.

My reading tends to be author and genre based. I read Harlan Coben, John D. MacDonald, and Jonathan Kellerman for the genre. I read Stephen King and Elmore Leonard for the writing style and enjoyment. I read Hugh Howey’s books because he has hit on the formula and success that all independently-published authors aspire to.

I’ve also committed to reading the classics in my genre. The first collected works that I’ve started with is Sir Arthur Conan Doyle’s Sherlock Holmes books and stories. He was a master in formulaic detective stories that started with the crime, the investigation, apprehension of the perpetrator and then a vivid description, usually by the criminal, of how the crime was carried out.

I also read non-fiction books that help me with my craft. These range from books on independent-publishing to works by other authors that give writing advice.

Stephen King’s book, On Writing, is one of the best that I have found. I use this as a reference book. Even if you don’t like King’s books, he gives great insight and a candid view into the mind of a writer. It is amazing, based on his wild younger days, that he is alive, let alone a successful writer.

If you are, or aspire to be a independently-published author, I recommend that you read books by your competition in your genre. You can learn a great deal from the successful authors and learn even more about what to avoid by reading authors that are not successful. You’ll marvel at the typos, grammatical errors, and other pitfalls that are the bane of independent-publishing. You can read some of the other chapters in this book to find ways how to rise above this.

Again, I go back to Stephen King’s quote and paraphrase; if you are not reading, you shouldn’t be writing. Find or make the time to do it. You can’t write in a vacuum and expect to be successful.

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